Week 4 – The structure of the script outline

I decided to discuss the sound design in the game from the point of soundscape. The sound design of a game includes many aspects, such as music, Characteristic sound effects (e.g. lightsabers in Star Wars), and the choice of NPC‘s voices (this relates to character, such as Siegmeyer of Catarina in Dark Souls 3, whose voice sounds muffled because he wears a helmet). All of these elements have to do with the immersion of the game, but why did I choose soundscapes? Because I feel that soundscape is fundamental. Whether it’s a game or a film, we need to build a scene first. We need a foundation and then we can add things on top of that.

This is my structure.

Theme.

The soundscapes in game sound design

Part 1.

Introducing the theme

Part 2.

Paragraph 1: The concept of soundscapes

Paragraph 2: The Legend of Zelda: Breath of the Wild – Immersion

Part 3.

Paragraph 1: Categories of sound in the soundscape

Paragraph 2. Detroit: Become Human – The impact of sound on players’ emotions

Part 4.

Conclusion